I am Tom and today we will be looking at how great composers use fascinating rhythm. Syncopation is fundamental in and jazz piece. The piano drops out at bar 18, the drums take up the swing beat and as the piano re-enters at bar 31 the drums drop out.
These accents can be found between bars 13 and 42, excluding a couple of bars in between. The long short rhythm confirms the syncopation.
An example of syncopation is at bar 13 in the piano line, with the accent off the beat, also the hand clapping rhythm is syncopated because it has rests on the strong beats. Unsquare Dance has a slight swing to it.
Unsquare Dance makes good use of syncopation. Triplets can be found in both the piano and the drum lines; the first triplet is at bar 13, there are others in the piece, for example bar 15 has a triplet. Free jazz has no set structure to it, although Unsquare Dance does have a blues structure, this can be found in the bass line.
The swung beat is not there all the time; it only starts at bar 13 with the piano, and then continues throughout the rest of the piece. A square dance is a very rigid and structured dance with one beat per step, whereas Unsquare Dance is very free, sounding spontaneous.
These triplets create movement. Repetition of phrases creates motivic repetition, in each instrument, with the exception of the drums. Acciaccaturas, also known as grace notes, are a common feature of this piece and can be found in the piano line, on numerous occasions, for example bars 13 and 17 have grace notes.
The piano too repeats phrases. This piece falls under the genre of free jazz, allowing the soloist to play whatever they want.
When looking for displaced accents it is not very hard to find them in this piece as they are in 22 of the 42 bars.Free College Essay Analysis - Unsquare Dance and Strawberry Fields Forever. (Start with hand clapping rhythm and tap the bass rhythm with foot from Unsquare Dance) Good afternoon everyone.
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